Please see our personal webpages for all publications.
Deacon, T., Stockman, T. and Barthet, M. (2017). User Experience in an Interactive Music Virtual Reality System: An Exploratory Study. In M. Aramaki, R. Kronland-Martinet, & S. Ystad, eds. Bridging People and Sound: 12th International Symposium, CMMR 2016, Sáo Paulo, Brazil, July 5-8, 2016, Revised Selected Papers. Cham: Springer International Publishing, pp. 192–216. doi: 10.1007/978-3-319-67738-5_12.
Duffy, S. and Healey P.G.T. (2017) . A new medium for remote music tuition. The Journal of Music, Technology, and Education. Volume 10 Issue 1. doi: 10.1386/jmte.10.1.5_1.
Skach, S., Healey, P. G., & Stewart, R. (2017, July). Talking Through Your Arse: Sensing Conversation with Seat Covers. In Proceedings of the 39th Annual Meeting of the Cognitive Science Society.
Katevas, K., Healey, P.G.T. and Harris, T. (2015). Robot Comedy Lab: Experimenting with the Social Dynamics of Live Performance. Frontiers in Psychology. doi: 10.3389/fpsyg.2015.01253.
Eshghi, A. and Healey, P.G.T. (2015). Collective Contexts in Conversation: Grounding by Proxy. Cognitive Science. doi: 10.1111/cogs.12225.
Duffy, S. and Healey, P.G.T. (2014). The conversational organization of musical contributions. Psychology of Music, 42(6), 888–893. doi: 10.1177/0305735614545501.
Healey, P. G. T., Purver, M. and Howes, C. (2014). Divergence in dialogue. PLoS ONE 9(6):e98598. doi: 10.1371/journal.pone.0098598.